'Oh my goodness-it's beautiful!', exclaimed one of our testers. And it is. Amethyst Genuine is a rich, true purple-it's almost black in mass tone and capable of infinite gradation. Although it is a granulating colour, it...

DANIEL SMITH Azo Yellow Watercolour almost jumps off the paper, it's so brilliant, sunny and bright. The very essence of yellow, it's clear, powerful, vivid, semi-transparent, smooth and staining. Use this organic pigment...

Gorgeous in colour, Blue Apatite is a striking mineral that is rarely used in jewellery due to its relative softness. As an artist's pigment, though, it's fantastic - a dense, rich midnight blue that granulates...

Gorgeous Burnt Bronzite Genuine pushes the honey tone of Bronzite Genuine to a more coppery hue. Both deeper brown and more orange, it's ideal for portrait work as it easily produces a wide range of flesh tones. Like...

We’ve done it! Safe, Vibrant Cadmium Hue Watercolours! Our new formulas provide all the density and richness of classic cadmium colours. Our hues are virtually identical in colour to their namesakes, but cleaner in...

Cadmium Yellow Deep Hue - A rich, warm yellow with a golden glow. Light fastness: Light fastness: Very Good, Low Staining, Granulation: No, Semi-Transparent.

A superb mixing colour. Think of Cerulean Blue as a cleaner, brighter and slightly warmer alternative to the Cerulean Blue Chromium we've always sold. A bit less green, it's a truer blue that will be a versatile...

A brilliant purple with remarkable blue undertones and a granulating texture. Try mixing this bold colour with Prussian Green for surprisingly soft blue hues. At full strength, Cobalt Blue Violet is dark enough for deep...

A mid-range green-yellow, useful for mixing middle value grays. Introduce non-staining complementary colours to warm or cool the mix. An inorganic pigment, it is considered transparent, non-staining (and low-tinting) and...